the marquis de Carabas (
mattersverymuch) wrote2013-08-20 05:30 pm
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11 ɂ open spam
[It's been so many years since the marquis was young that he'd almost forgotten what it was like. He had been so small, ill-fed and underweight, and so easily broken. Which, really, explains a lot about what he's become - none of which he particularly wanted explained to the Barge as a whole.]
[To distract himself somewhat from this unfortunate reality, he has begun work on a compendium of stories, as he has nothing else to do with his time. Much of his work is done in the library, but much is also done in the CES, which becomes, variously, an abandoned city in a mishmash of styles, a thick, temperate, and foggy hardwood forest, and a riverside. He works mostly from memory and attempts comprehensiveness, though his writings as late veer toward tales of the trickster.]
[To distract himself somewhat from this unfortunate reality, he has begun work on a compendium of stories, as he has nothing else to do with his time. Much of his work is done in the library, but much is also done in the CES, which becomes, variously, an abandoned city in a mishmash of styles, a thick, temperate, and foggy hardwood forest, and a riverside. He works mostly from memory and attempts comprehensiveness, though his writings as late veer toward tales of the trickster.]
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Of course, in the interim he still needs places to lie low and appear normal, and the library is an easy one at that. No one pays much attention to the people who frequent the library as long as they don't break the silence, and Slevin is careful not to do that.
But he's seen the other man here a couple of times, this strangely quiet, always moving, always watching man; he's never seen someone read, write, and keep an eye out around them at the same time while also appearing bored. Not since Goodkat, anyway. So that's where he takes his next book, pulling it carefully off the shelf - a Vonnegut, because that seems like a safe enough bet for normal but not too normal, just boring and strange enough to warn people off - and pausing near the table.]
Hi.
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[He takes the time to wave his hand over the ink, allowing it to dry, for thirty or more seconds; then he glances up.]
Can I help you?
[ Spam ]
He smiles at the question. It isn't a smirk, but it could play one on TV with the right lighting.]
I don't know. That depends on how you're capable of being helpful.
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In most ways.
Elaborate.
[ Spam ]
[This is all casual, and he punctuates it by sitting down, bending his lanky frame somewhat awkwardly into the chair he'd been standing behind. The book goes on the table between them, forgotten under his hand.]
I suppose this is probably the part where I ask you something related to getting out. But seeing as how that seems particularly counter-productive or else no one would still be here, I'll go ahead and ask what you would say faced with the same order.
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[He drums his fingers on the table, lets the silence stretch.]
What on earth makes you think I've thought about it?
[Of course he has. But there's a snag - he can survive here. Maybe he doesn't want to go home. Some days, he doesn't. Most days - well.]
[None of Slevin's business, really.]
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It's more true than a lot of people realize. He shakes his head, declining to answer. Instead:]
I meant if I told you to elaborate.